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Abstract
The opera departs from Shakespearean romanticism and embraces the Italian tradition of factional conflict, where hatred is a destiny, not a circumstance. In this tense environment, the secret love between Giulietta and Romeo becomes a force that defies social norms. For those around them, loving each other is almost an offense, a fracture in the established order. Love is sacred because it is free and perceived as sacrilegious because it calls into question the values that uphold family honor.
The ending, marked by the suicide of the two young lovers, takes on a ritualistic meaning: a final act of fidelity that the world has failed to understand. Death thus becomes a space of definitive union, where life has denied them the possibility of loving each other freely.
The ending, marked by the suicide of the two young lovers, takes on a ritualistic meaning: a final act of fidelity that the world has failed to understand. Death thus becomes a space of definitive union, where life has denied them the possibility of loving each other freely.
Tags
Cast
Marko Mimica
Capellio
Lisette Oropesa
Giulietta
Raffaella Lupinacci
Romeo
Iván Ayón Rivas
Tebaldo
Alejandro López
Lorenzo
Artistic team
Adrian Noble
Stage Director
Riccardo Frizza
Musical Director
Tobias Hoheisel
Set Design
Joanne Pearce
Choreography
Petra Reinhardt
Costume Design
Jean Kalman, Marco Filibeck
Lighting Design
Teatro alla Scala de Milà
Production
Gran Teatre del Liceu
Chorus and Orchestra
Pablo Assante
Chorus Master



